tufuga ō measina ma viliata | pratique en arts visuels | visual arts practice
tagatanuʻu poʻo tagata a faguʻu 2023, Aupuni Space X T.R.A.D.E.S Residency, Honolulu
FR
Léuli Eshrāghi (Tagata Sāmoa) privilégie les langues sensuelles et parlées ainsi que les pratiques artistiques, cérémonielles et politiques. Eshrāghi a présenté des œuvres d’envergure au Tate Modern, au Staatliche Kunsthalle Baden-Baden, au Museum of Contemporary Art Australia, aux Queensland Art Gallery | Gallery of Modern Art, et à la Galerie de l’Université de Montréal, entre autres. Iel a notamment exposé aux biennales The National 4: Australian Art Now (2023), MOMENTA Biennale de l’image: Quand la nature ressent (2021), 22e Biennale de Sydney: NIRIN (2020) et Sharjah Biennial 14: Leaving the Echo Chamber (2019). Ses œuvres sont conservées par la Banque royale du Canada, le Fonds régional d’art contemporain des Pays de la Loire et dans des collections privées.
EN
Léuli Eshrāghi (Tagata Sāmoa) prioritizes sensual and spoken languages as well as artistic, ceremonial and political practices. Eshrāghi has presented major works at Tate Modern, the Staatliche Kunsthalle Baden-Baden, Museum of Contemporary Art Australia, Queensland Art Gallery | Gallery of Modern Art, and Galerie de l’Université de Montréal, among others. They have notably exhibited as part of the biennials, The National 4: Australian Art Now (2023), MOMENTA Biennale de l’image: Sensing Nature (2021), 22nd Biennale of Sydney: NIRIN (2020), and Sharjah Biennial 14: Leaving the Echo Chamber (2019). Their work is held in the Royal Bank of Canada and Fonds régional d’art contemporain des Pays de la Loire collections, and in private collections.
EN COURS | CURRENT
Exhibition Interfacial Intimacies curated by Caine Chennatt // 14 March - 23 May 2026
South East Centre for Contemporary Art, Bega
À VENIR | SOON
Performance Qaleidoscope Festival curated by Gary Varro // 2 May 2026
Romssa Dáiddasiida / Tromsø Kunstforening, Romssa/Tromsø
Exhibition As waters merge: swaying waves beckoning us closer curated by Camille Georgeson-Usher with Jazmine Andrew // 6 June - 4 October 2026
Art Gallery of Greater Victoria, Victoria
Tala mamao mai | Presse | Press
André Lavoie, “Les expositions qui valent le détour en région,” Le Devoir, 13 mai 2023
Nick Croggon, “The National 4: Australian Art Now,” The Saturday Paper, April 2023
Yasmine Chouaki, “Léuli Eshrāghi, genre humain,” RFI: En sol majeur, 11 juin 2022
Giselle Au-Nhien Nguyen, “Rewriting The Script,” Art Guide Australia, 23 February 2022
Jorah Bright, “Projections at the Dunlop Art Gallery,” The Carillon, 7 October 2021
Julianne Pierce, “FIELD NOTES: Review,” Artlink, 41.2: In Public/Inside, August 2021, pp. 110-114
Sapeer Mayron, “Samoan artist featured in Australian exhibit”, Samoa Observer, 12 October 2020
Neha Kale, “Notes from the Near Future”, Art Guide: 127, September 2020
ABC Arts + ABC Indigenous, “A virtual walkthrough of the Biennale of Sydney”, ABC Arts + ABC Indigenous, 16 June 2020 (10:16-13:05 mins)
9 News Sydney, “Sydney Biennale set to open this weekend”, 9 News Sydney, 10 March 2020
Georgia Mokak, “In Conversation”, National Association for Visual Arts, January 2020
Himali Singh Soin, “On Site, A Ripple in Time: The Dhaka Art Summit”, ARTFORUM, April 2018