tautuanaga ʻo faʻāliga ata | pratiques commissariales au service de la collectivité | curatorial practice in service of the community
Stephanie Comilang and Simon Speiser, Piña, Why is the Sky Blue? (still), 2021. How we remember tomorrow curated by Peta Rake, Isabella Baker, Jocelyn Flynn, University of Queensland Art Museum, 2024
Mariquita ‘Micki’ Davis, Magellan doesn’t live here (still), 2017. Mare Amoris | Sea of Love curated with Peta Rake, Isabella Baker, Jocelyn Flynn, University of Queensland Art Museum, 2023-24
Abdul-Rahman Abdullah, Tanpa Sempadan (detail), 2023. TarraWarra Biennial 2023: ua usiusi faʻavaʻasavili, TarraWarra Museum of Art. Courtesy of the artist and Moore Contemporary, Boorloo
Amrita Hepi, The Anguilla Pursuit (still), 2021. Oceanic Thinking (Season Two) curated with Peta Rake, University of Queensland Art Museum, 2022
Kite and Devin Ronneberg, Ínyan Iyé (Telling Rock), 2019. Pasapkedjinawong: La rivière qui passe entre les rochers—The river that passes through the rocks curated with John G Hampton, Musée d’art MacKenzie Art Gallery, 2021
Brian Fuata, a house besieged (preposition tweaked) (still), 2020. Sāmoan Hxstories, Screens and Intimacies II, imagineNATIVE Film + Media Arts Festival and A Space Gallery, 2021
Dan Taulapapa McMullin, Sinalela (still), 2001. Sāmoan Hxstories, Screens and Intimacies I, imagineNATIVE Film + Media Arts Festival and A Space Gallery, 2020
Virginie Tetoofa, Pari Pari Fenua - Tautira (still), 2017. Écrans autochtones: entre temporalité et mouvement curated with Mylène Guay, imagineNATIVE Film + Media Arts Festival, 2020
asinnajaq, Rock Piece (Ahuriri) (still), 2018. ʻO le ūa na fua mai Manuʻa, part of the Wansolwara: One Salt Water season, University of New South Wales Galleries, 2020
BC Collective (Cora-Allan Wickliffe and Daniel Twiss) with Louisa Afoa, Hākari as guests (detail), 2019. Transits and Returns, curated with Tarah Hogue, Sarah Biscarra Dilley, Lana Lopesi and Freja Carmichael, Vancouver Art Gallery, 2019-2020
Layover curated with Lana Lopesi, Freja Carmichael, Sarah Biscarra Dilley and Tarah Hogue, Artspace Aotearoa, 2019
Artists and curators on opening night. The Commute curated with Freja Carmichael, Lana Lopesi, Sarah Biscarra Dilley and Tarah Hogue, Institute of Modern Art, 2018
Angela Tiatia, The Liberators, 2017. Pōuliuli (Faitautusi ma Faʻāliga), West Space and Smithsonian Asian Pacific American Center, 2017
Lydia Balbal, Martakulu, 2010. First Languages of the Monash University Collection, Monash University Museum of Art, 2016-17
Atong Atem, Dit, 2015. Ua numi le fau, Gertrude Contemporary, Next Wave Festival, 2016
Vai Niu Wai Niu Coconut Water, Caboolture Regional Art Gallery, 2015-16
Tala mamao mai | Presse | Press
Erin Mathews, “Love as an active force, as fierce as the ocean,” Art Guide Australia, October 2023
Lily Eather, “Mare Amoris | Sea of Love,” Art Almanac, September 2023, pp. 32-34
Emma-Kate Wilson, “TarraWarra Biennial: ua usiusi faʻavaʻasavili,” Art Almanac, June 2023
Luce Nguyễn-Hunt, “TarraWarra Biennial 2023: ua usiusi faʻavaʻasavili,” Memo Review, June 2023
Tim Stackpool, “Dr Léuli Eshrāghi at TarraWarra,” Inside the Gallery, May 2023
Amelia Winata, “TarraWarra Biennial,” The Saturday Paper, April 2023
Rebecca Coates, “Léuli Eshrāghi on Curating the TarraWarra Biennial,” Ocula, April 2023
Antoine Aphesbero, “Interview de Léuli Eshrāghi,” Palais de Tokyo, mai 2022
Giselle Au-Nhien Nguyen, “Rewriting The Script,” Art Guide Australia, January 2022
Julia Lum, “Transits and Returns”, C Magazine, 145: Criticism, Again, Spring 2020, pp. 58-59
James Gatt, “ʻO le ūa na fua mai Manuʻa curated by Dr Léuli Eshrāghi”, Running Dog, April 2020
Amina Creighton-Kelly,“Knowledge Exchange across the Pacific Ocean”, Rungh Magazine, March 2020
Vanessa Low, “Wansolwara: One Salt Water”, Art Almanac, February 2020
Gina Fairley, “Review: Wansolwara: One Salt Water, UNSW Galleries (NSW)”, ArtsHub, February 2020
Moe Kirkpatrick, “Transits and Returns: Does Context Make Art?”, The Ubyssey, January 2020
Jessica Johns, “Indigenous World-Building at the Vancouver Art Gallery”, Canadian Art, December 2019
Tania Willard, “What's for - Decolonial - Dinner?”, Contemporary Hum, December 2019
Dorothy Woodend, “Home and Away”, Galleries West, October 2019
Michaela Bear, “The Commute,” ArtAsiaPacific, November 2018
Soo-Min Shim, “The Commute,” Art Almanac, October 2018
Megan Cope, “The Commute,” un Magazine - Online Reviews, October 2018
Tristan Harwood, “Love and decolonisation in actu”, un Magazine, 10.2, October 2016
Emily Cormack, “Postcard from Melbourne”, Frieze Magazine, August 2016
Catherine Clover, “Next Wave Festival: complex selves and cultures”, RealTime, June 2016